Showing posts with label ballet in unexpected places. Show all posts
Showing posts with label ballet in unexpected places. Show all posts

Tuesday, August 19, 2014

No one wants you to twerk, Taylor

Oh good grief. Did I actually just watch a Taylor Swift video on purpose? I'm obviously still delirious from the end of theater season.


Friday, August 8, 2014

Ballet Where You Least Expect It

My city is known for it's public art. Public art that is, almost without exception, horrible. I mean, did the county admin building REALLY need that V-shaped fountain pouring water in to a red pool? Really? Who thought that a giant vajay was a great idea? And more importantly... who thought it was SUCH a great idea that they bought an identical one for every side of the building?
But, I digress.
I have quite literally been going to the same dentist's office since I was 7 (yes, really. I have congenitally crummy teeth so I have stared at the same grey acoustic ceiling tiles for hundreds of cumulative hours of my life.) and for years I have walked past the same bass-relief mural in the lobby staircase. It's huge. It's lumpy. And, most of all? It's ugly. My heartfelt apologies to the artist... but it really is ugly. Anyway. As I was leaving yesterday I noticed a little corner of the mural that I hadn't really paid any attention to before:
ballet in unexpected places!






PS: I wasn't kidding about the fountain:

Tuesday, January 7, 2014

Like a Boss

Did anyone else watch Sherlock last night? Did you see him pull off that totally fucking badass pirouette for no discernible reason? Pretty sure it all just reinforces my long-held assertion that Sherlock Holmes (except not the Robert Downey Jr version, he is far too neuro-typical for me) is totally my TV boyfriend.

Wednesday, November 13, 2013

Don't. Do. It. No. Don't.

A particular dance wear retailer (ahem) posted this photo to Facebook this morning. You have probably seen it on Pinterest already, it's been around for a while:

It's a little girl having a dance with Anna Pavlova in an art gallery. It's quintessential childhood. It's precious. It's nostalgic. It reminds you of the things you love about dancing.
And this is the comment that someone left on the post:


It is a jerk-bag being a Douchey Larue for no discernible reason. It reminds you of the things you HATE about dancing. It highlights two of the problems with dancers (and people in general) communicating via the internet. First, it's almost impossible to truly grasp a person's intent via the written word without any obvious social ques ("he said laughingly", "she said while rolling her eyes"). It is especially hard to grasp sarcasm. Is this sarcasm? There is a happy face, that could indicate sarcasm, I guess. But a winky face would be more indicative of jest. I used to know someone online that would say the most horrible things to people because he thought a winky face would make up for it. I no longer associate with this guy, for obvious reasons. But anyway. Soooo... this commenter really is just being an asshole?
The second problem of course is that people really do this. I have talked about this previously. Multiple times. When you see a photo or video of a dancer online your first reaction should not be "oh here, let me tell you everything you are doing WRONG" regardless of the air of perfectionism inherent in ballet. It is not okay. Do not do this. To anyone for any reason. I understand the urge (lord knows I have seen a few too many porcelain ballerina figurines with dreadfully awkward posture, thankfully pointing this out is not objectifying and insulting an actual person) but if you are not the teacher in a classroom full of students then you need to check your corrections at the door.
And for the love of god, if you MUST be a dickweed? At least end with a winky face. ;)

Friday, September 20, 2013

Fox Walkin', Yo

from an interactive display of "your first memories" in the social
sciences department. My first memory, BTW, is of building a
snowman with my mother OR possibly of taking a bath in our
purple bathroom.

My husband and I have been on "vacation" this week, in celebration of our seventh wedding anniversary. We usually go to the redwood coast for the week, but the sick cat is keeping us much closer to home this year. Three trips to the vet in just one week. Yeah, I know, right? Anyhoo... I took the week off from ballet. I know what you are thinking. "A whole week? And when you just got promoted to pointe? GASP AND SCANDAL!" Yeah. Well. Sometimes we all need a little bit of a break to remind us of why we do something in the first place. Ballet is not my job, and it shouldn't feel like it!
But don't think that it never crossed my mind. Aside from the constant reminder of class while wearing my pointe shoes under fuzzy socks and attempting to help my husband install bookshelves in the stairwell (DANG those suckers are slippery! I am lucky I didn't kill both of us.) I also made sure to strike a lot of ballet poses while visiting museums.
We took a day trip to San Francisco to visit the new Exploratorium. Which, if you don't know, is probably the best science museum in the WORLD. No, really. Like, it's been voted the best in the world pretty consistently since it opened in 1969. It's really pretty great, if you like or are interested in science. Hell, even if you DON'T give a crap about that stuff it is totally worth the time, effort, and money to visit. It's entirely hands-on and interactive. I think the Exploratorium is solely responsible for me having any faith in humanity, these days.
So anyway. We were at the Exploratorium and in a quiet corner we found an exhibit that involved walking across a stretch of gravel while the noise you make is monitored and scored. The idea being that you were supposed to walk as quietly as you could. I did pretty well at it by always stepping in the footprints of the person who went before me (where the gravel will be more compressed) but then there was a video about the best way to silence your steps. It's called "fox walking" and apparently is a big deal amongst people who do the whole survivalist thing (for very little reason that makes sense, other than hunting in close quarters, I suppose). But here is how you do it (or at least the version of it they showed us. Honestly there appear to be other versions floating around on the internet but WHATEVER):
You step on to the ball of your foot, then roll through the rest of the foot and place as little weight on your feet as possible. So, in other words: walk like a ballerina. Anyway, it kind of cracked me up (PS: it worked, too).



Monday, May 20, 2013

To Ze Lumber Yard!

A couple of times now (pretty sure it's going to be in the recital) we've done this combination across the floor. It starts with a standard set of chassé-sauté arabesques and then all hell breaks loose and you bring one foot in to coupé derriere and then some piqué craziness happens and... well god only knows.
But today, in the lumber aisle at the hardware store (we're moving. I spend like ten hours a week at the hardware store, these days.) while I was waiting for my husband and the wood-cutting dude to finish their tête-à-tête, I sort of veeeerrrrrry slooooooooowly cranked it out. No one was watching me, I feel like I should mention that. Then I did it on the other side. You know, so I would be even.

Friday, December 21, 2012

Looking For Ballerinas in All The Wrong Places

Well, I've done it. I've finished off Nutcracker and Mouseking, the story that the Nutcracker was based on. It was interesting in a few ways. For one, the mouse king was this terrifying 7-headed rodent creature that was obviously inspired by the German folk legend of the rat king. If you've never heard of it before I am terribly sorry to introduce it to you, but it gives you a certain understanding of the story we are working with, here. The little girl (named Marie, not Clara) sort of vaguely helps the nutcracker (Drosselmeyer's bewitched nephew) defeat the mouse king (VERY vaguely) and then she marries him, despite the fact that she is 8 years old. There you go. There is a brief trip through the land of sweets, but they don't stop to talk to anyone on account of the residents all being terribly grumpy (because they all have sore teeth, naturally). Why did we make this story in to a beloved ballet classic, again?

Random write-up in mental_floss magazine this month:


not particularly informative or anything, it just caught my eye.