'We feel dancey'

“...fairies never say 'We feel happy': what they say is, 'We feel dancey'.”
― J.M. Barrie, Peter Pan in Kensington Gardens *

 illustration by Arthur Rackham (hittin' it out of the park, as always)

*this is such a weird story. The prototype for what eventually became the play and then novel Peter Pan, this novella is both a little morbid and desperately tragic. As if the story wasn't already messed up enough, now you get the first hand experience of Peter discovering his mother has "replaced" him, and the little naked boy running around in the snow burying the children that have died after getting locked into the park at night. So. Weird. 

the felicities of rapid motion

"It may be possible to do without dancing entirely. Instances have been known of young people passing many, many months successively, without being at any ball of any description, and no material injury accrue either to body or mind;--but when a beginning is made--when the felicities of rapid motion have once been, though slightly, felt--it must be a very heavy set that does not ask for more."

-from "Emma" by Jane Austen

Looking For Ballerinas in All The Wrong Places

Well, I've done it. I've finished off Nutcracker and Mouseking, the story that the Nutcracker was based on. It was interesting in a few ways. For one, the mouse king was this terrifying 7-headed rodent creature that was obviously inspired by the German folk legend of the rat king. If you've never heard of it before I am terribly sorry to introduce it to you, but it gives you a certain understanding of the story we are working with, here. The little girl (named Marie, not Clara) sort of vaguely helps the nutcracker (Drosselmeyer's bewitched nephew) defeat the mouse king (VERY vaguely) and then she marries him, despite the fact that she is 8 years old. There you go. There is a brief trip through the land of sweets, but they don't stop to talk to anyone on account of the residents all being terribly grumpy (because they all have sore teeth, naturally). Why did we make this story in to a beloved ballet classic, again?

Random write-up in mental_floss magazine this month:

not particularly informative or anything, it just caught my eye.

god save the queen

So, who else thinks that Queen Elizabeth II is awesome? And how many of you are like "Woot! Diamond jubilee! There will be big hats!" or is it just me?
One of the things that HM did for the occasion is release the complete digitized collection of Queen Victoria's rather exacting private journals. If you are in to that stuff you can check 'em out right here.
So anyway, I've been reading them here and there when something in particular grabs my attention (though, to be honest, her handwriting is pretty taxing) and eagerly waiting for any mention of the big exciting news that was the world of ballet in the early to mid 1800s. I was hoping there would be some written mention, but instead we all lucked out, because she was an artist:

 

Pauline Duvernay in Sleeping Beauty. March 12th, 1833

 “The Viennoises”, at Her Majesty's Theatre in the Haymarket. 1845

And, of course, the ballerina who will live forever, Taglioni:

 

Marie Taglioni as La Bayadère, 1832

 

"Mlle taglioni as she appeared in the ballet of Le Pouvoir de la Danse, ou la Nouvelle Terpsichore" 

1834 

And closer because it's prettier that way:

'Taglioni danced quite exquisitely', wrote Victoria, ' … she positively almost flew'